Thomas Woodham
Unrelenting innovation, haunting yet tender, and of a different caliber altogether, .gif plunges deep and soars above with Hail Nothing.
Favorite track: MY DARLING.
The band's previous output garnered acclaim from the likes of VICE, Earmilk, Indie Shuffle and FasterLouder, .gif's sophomore LP HAIL NOTHING still showcases the haunting vocals, deft lyricism and obsidian production that has become their distinctive sound. The album is named after a line in Ernest Hemingway’s A Clean Well Lighted Place –– “Hail nothing full of nothing, nothing is with thee.”
Heavily informed by postmodern literature, film and theatre, .gif’s work has always grappled with themes of alienation, displacement, loneliness; the impossibility of forming any real human connection.
In HAIL NOTHING, however, .gif “imagine Sisyphus happy”, as Albert Camus famously wrote in The Myth of Sisyphus. Where their previous work––saudade EP and soma LP––had been defined by a rainy–day despair and a longing for purpose, their new album is an aggressive attempt to break free from melancholy. A more joyful approach to existential dread, HAIL NOTHING embraces the absence––or inscrutability of––meaning as something not cruel or suffocating, but liberating.
Darker, grittier and bolder than ever before, .gif now treads a unique balance between trip–hop, post punk and slow driving techno. The album confronts the listener with raw, dirty synthesisers and vigorous arpeggiation, the nuance of Din's sonorous beats enhanced and brought to life by Jason Tan's savvy production work. Their robust instrumentation plays magnificently into Weish’s spellbinding vocal melodies, her voice evocatively alternating between tautness and ache, reckless abandon, and sombre poetry.
Known for their unexpected and form–bending collaborations, .gif have often worked with artists across different disciplines, from poets to playwrights. Here in HAIL NOTHING, the pair introduce two exciting first–time collaborators. The opening track “ONLY YOURS” showcases the iconic vocals and rich lyricism of celebrated multi-disciplinary artist and local luminary Bani Haykal of B–Quartet. Later in the record, “DONE (done done)” features prize-winning British poet and spoken word artist Usaama Minhas, whom .gif shared a lineup with in Cambridge during their 2018 UK tour.
Unapologetic and no longer afraid, HAIL NOTHING dances blithely into the void, celebrating the great chaos and wonderful arbitrariness of existence.
credits
released April 24, 2020
Written and Performed by:
Nurudin Sadali, Chew Wei Shan
Production/Additional Arrangement,
Performance & Programming/Mix by:
Jason Tan
Additional Artists/Performers:
Usaama Minhas: Rap on DONE (done done)
Bani Haykal: Vocal and Lyrics on ONLY YOURS
Mastered by:
Beau Thomas (Ten Eight Seven)
Artwork by:
Marc Gabriel Loh
A Syndicate Release in association with The Analog Vault
As Singapore’s revolutionary transmitter of beats and visual culture, SYNDICATE presents a melt down of audio experimentation and visual dares from the bass bins, beats baskets and image banks of its audio-visual super collective.
Wow, i have no words, this music is something so strange and beautiful to me i can't even explain,I'm so happy to have discovered you, love your work .gjf Mike
These three songs from JV & Palf deliver jittery, hyperactive dance music with split-second vocal samples an bass-heavy beats. Bandcamp New & Notable Sep 4, 2018